![]() Square wave voice can be used as a distortion tone The same fat analog synth textures give your bass a whole new range of possibilities: from percussive stabs to backwards-sounding bowed sounds.Ĥ Voice mixer section mixes: sub octave, original, octave up and square wave The Bass Micro Synthesizer has the same feature set as the Micro Synthesizer, but includes a trigger and filter sweep range especially tailored for bass guitar. International orders: Please note that you will be responsible for any applicable customs fees or import taxes!Ĭheck my feedback and bid with confidence! Orders placed before 12:00 PM Eastern Standard Time will ship same day! Orders placed after 12:00 will often ship same day as well, if not, they will ship next day. Mint, with all original packaging! Includes a U.S. I've never really managed to get a clean guitar to sound nice with a compressor so I intend to get a line selector and keep the Compressor->Synth->Echo on a separate line so i can turn them all of at once(much easier than trying to turn off all three in succession while changing guitar parts).Used Electro-Harmonix EHX Bass Microsynth Analog Micro Synthesizer Pedal This was fixed by the compressor and allows for some far out, 70's Sci Fi film sounds. ![]() Without the compressor, long sustained notes can die with a bristly farting sound at a moments notice, depending on how you set the trigger. The sound quality of the Electro Harmonix Microsyth improved greatly when i added a compressor before it in my FX chain and it sounds fearsome with my Strymon Echo pedal after it. You get a lot of control with the unit leading it to the kind of versatility that makes it very good value for money. ![]() It has the usual, sturdy metal chassis of an Electro Harmonix FX pedal The starting tone slider broke quite easily within the first month of having it and i now need to keep a ready supply of tooth picks handy to slide between the gap in order to change this parameter. To counter this I wrote a few of the settings that provided cool sounds on the handy record sheet that comes with the unit and am now quite comfortable with it. It took a while to get used it and I find that, compared to fuzz, vibrato, and the more usual fx units, it can be quite difficult to dial up a new sound that sits well on the fly during a gig. You can get the swirling, sub-octave synth sound of the Ming's Palace theme by Queen from the Flash Gordon soundtrack which, in itself, was enough reason for me to buy it. Although I consider the pedal to be an excellent one and there is nothing else like it out there, in its current design, based on my particular needs for volume boosts, I would have to relegate it to studio and practice situations. In certain combinations, can sound really awful when the square wave is engaged. Like a fuzz pedal, it works better with some than others or may not work at all. I have tried combining it with boost pedals at the pre/post stage, with varied results. The pedal has no general volume boost available, which potentially renders the pedal unsuitable for live situations. In most of the live situations I'm in, I need to have a drastic rise in volume when switching from rhythm to solos. The pedal essentially works on unity-gain levels. There is however one drawback in the current design. It'll keep you aware of your legato technique and phrasing, which can only expand your musicality. ![]() You will have to change your playing to adapt to this pedal, which is a good thing. It has some really cool features that allow you to compete with or completely replace the lame keyboardist in your band -) Think the solo on Queen's "I Want To Break Free" - it can easily be replicated with the MicroSynth! And although it is ideal to have an amp set up that is capable of responding to the frequencies it generates, it will still sound great in smaller amps and less-than-ideal set ups. ![]() I have always loved this pedal from the time I first played the predecessor version way back in the day. The dimensions are 143 x 119 x 60 mm (5.6 x 4.7 x 2.4 inches) - for some reason it was impossible to find the actual pedal's dimensions listed anywhere online! It came with its own power supply, but with the 9 V negative-center DC setting, I was able to daisy-chain it to the power supply of my other pedals without any problem. Kudos to Electro Harmonix for reducing the physical size in this new version. ![]()
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